CHAPBOOKS
Moldy Donuts (Buffalo Ochre Papers 2018). A chapette, in Edric Mesmer’s words. Edition of 50. All gone.
NO (Hostile Books 2015). Edition of 20. All gone, and I lost my copy.
May I Softly Walk: The Santa Fe Journals by Joe Hall & Cheryl Quimba (Poetry Crush 2014)
Post Nativity (Chapbook Genius 2012). I’d rewrite large swathes of this now.
SELECTED POEMS ONLINE
- Poetry Northwest – “I Hate That You Died” (2019)
- Poetry Daily – “Amnesia, 2007 / Nightshift, Mandatory Overtime II” (2018)
- Academy of American Poets – Poem-a-day – “UTOPIA: Love as Last Day” (2016)
- ythm #3 – How Do I Smell Today? (2016)
- Poetry Crush – “E Observes the Anti-Solo” (2016)
- Poetry Crush – “Easy Poem” (2016)
- Small Po[r]tions – “Christmas Carol: A Play” (2016?)
- Similar Peaks – “Amnesia ’97” (2014)
- Toe Good Poetry – from ONEIDA (2014)
- Typo #21 – from ONEIDA (2014?)
- Yalobusha Review – “Amnesia ’97,” “Amnesia ’13” (2014?)
- Dreginald – “Signal Rhythm,” “Water & Oil” (2014?)
- Oote Oote – Translations into Dutch of 3 of The Devotional Poems (2013)
- Academy of American Poets – Poem-a-day – “UTOPIA: Love as Free as Fountain” (2013). Also, they won’t change that damn photo! Fuck.
- PEN American Center – “Dawn, Third Shift” (2013)
- Sink Review – “I Was Living in a Boarded Up House…” & 2 Others (2013)
- Spork Press – 2 Poems, Uncollected (2013?)
- Spork Press – 3 Poems (2013?)
- iO (2011)
- Barzakh – Poems from The Container Store (2010)
- Springgun – Poems from Pigafetta Is My Wife (2010)
Paper and Ink Journals Hosting My Work: Homestead Review, Pretty Cool Poetry Thing, Peach Magazine Yearbook, No Infinite: A Journal of Poetry, Art, and Protest #3, Make, The New Megaphone, Gulf Coast, Versal, The Atlas Review, Bat City Review, Puerto Del Sol, Sakura Review, Catch Up Magazine, Caketrain, Lo-Ball, 1913, Phoebe, Barrelhouse, Noö, Handsome, Gargoyle, Ping Pong, Rooms Outlast Us.
REVIEWS & ESSAYS
“Review: Ghost Fishing: An Eco-Justice Poetry Anthology” / Terrain.org
“Let the Self-Destruction Continue” / Destroyership II. Fanzine.
“Everynone” by Adrian Parsons/Destroyership I. The Destroyer.
ACADEMIC ESSAYS
CURATION
