Adrian Parsons let his readers destroy/remake/erase/rememory his conceptual art ideas in both digital and physical installations. I wrote about it.
DEAD HOUSE Gary Kachadourian’s installation at the BMA is a room wheatpasted with xeorographic prints. The gallery space is transformed into a dismal, flattened set of a Baltimore-a city block, a wood paneled interior, and a bathroom. On account of it being to scale, a… Read More
This video is hypnotic. Not just because it involves citizen Parsons and an intersection in the city I’m very familiar with, but because it’s a sort of mock-epic ballet of control–control of a public space and people in space, control of the self. But maybe… Read More