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Photo on 5-18-15 at 8.43 PM Mike Maggio’s Garden of Rain.Photo on 5-18-15 at 8.41 PM Dreamboat #13 . Photo on 5-18-15 at 8.42 PM #2No Infinite Vol. 3

Garden of Rain by Mike Maggio

Mike has always been a political poet (past collections: Oranges From Palestine, deMOCKcracy). This is a change: a more reflective, directly lyrical collection. Finding their quiet intensity even more so given the (necessary) fury of his past work.

Dreamboat #13 (January 2015 / Oakland, Calif.)

Poems by Sean Bonney, Judith Goldman, Jacqueline Waters, D. Scot Miller.

Sean Bonney: “not so long ago I tried to convince you that plague is the only solidarity we might have left, as if that plague might lead to some kind of new force of collectivity, on both molecular and social levels, wherein a new utopia might open up before our eyes, a rose-garden of strange harmony, new forms of human and inhuman love. Perhaps I got it wrong. I mean, I’ve been ill for quite a while now, and if I feel solidarity with anything at all, its simply with the forces of namelessness and invisibility”…then it continues to be heavy and political in a charmingly bracing way.

No Infinite Vol. 3, Spring 2015

Smoldering southern freak outs that a voice in me feels intense kinship w/. The poise of Sara Nicholson. The pungency of Justin Katko.. Justin Katko drops a ton of bricks on handwringing over poetry’s non-revolutionary illegitimacy and the po’ could every be cheap as free until its free and you can eat it too. On critics asking poetry to uncomplicate itself for an illusory working class audience so it can be comprehended: “The main problem with this fantasy is that it is upside-down: because it is intellectual poets who largely fail to comprehend the complicated forms and ideas made by the working classes. Universities will always be on the back foot in their provision for these forms. Possibly our work will increase in correct complication as we audience the poets whom the upside-down fantasy thinks should be audiencing us” (49).

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Americans / An Anti-Poem / It Chose Me / Reading Notes

Photo on 4-8-15 at 9.02 PM 12:10 Long week & I have 4 hours to give this (Joshua’s book) to Juliette Reading about more land expropriation, more theft from somewhere that’s not here–Arizona to Modi’ India. Am not nostalgic for small production, I’m nostalgic for meaningful struggle against trans-national mega capital, thefts of agency and self- & communal-determination, as it intersects w/other work and struggle: a future. Here we are–JW’s dedication to force of rejection, that put the book in this informal circulation which I think is a good home. The sprit of this book is non-disclosure so I won’t try to chop it into an argument or quote, just register how we tangle: Beef-mandala & something about rendering. Animal-headed consumer emblems. cf Helen Adams’ collages / cf Duncan’s grand collage? Tho more despair here, the play w/scale as both exuberant and vertiginous and so much food, meat. I’d been thinking what are the recent poems not about consumer culture (something like Sprawl) but about actual consumption, the process of rendering. Here’s one. & whenever I think of beef, AR’s Cow pops up. “Lake Effect” / tho Josh moved to Denver, I’m thrilled w/any Rust-Lake belt call back.There’s a manifesto here RE: dada and surrealism where “surrealism” becomes a mantra and a fugue-y repetition between slice and circle.  Will leave it to you to find out. This ten minutes was better than any AWP. 12:24 PM